Neorealism and Nouvelle Vague
A session dedicated to two movements that, fifteen years apart, break the same rule in two different ways: cinema built in the studio, with scripts written at a desk and professional actors. Italian Neorealism shoots its films in real streets, with ordinary people instead of actors, telling the everyday life of the postwar years. The French Nouvelle Vague, by contrast, emerges from a group of young critics, raised watching those very films, who decide to break the same rules — declaring it openly in their critical writings, even before making their own films.
A session dedicated to two movements that, fifteen years apart, break the same rule in two different ways: cinema built in the studio, with scripts written at a desk and professional actors. Italian Neorealism shoots its films in real streets, with ordinary people instead of actors, telling the everyday life of the postwar years. The French Nouvelle Vague, by contrast, emerges from a group of young critics, raised watching those very films, who decide to break the same rules — declaring it openly in their critical writings, even before making their own films.
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