Cecilia Fajardo-Hill is a Latina / British/ Venezuelan art historian, curator, and writer on modern and contemporary art, focusing on Latin American and Latinx art. Fajardo-Hill has a PhD in Art History from the University of Essex, England and an MA in 20th Century Art History from the Courtauld Institute of Art, London, England. She has published and curated extensively on contemporary Latin American and international artists since the 1990s. She co-curated Radical Women: Latin American Art 1960-1985, at the Hammer Museum, Los Angeles, 2017, toured to the Brooklyn Museum, New York and to Pinacoteca, São Paulo, 2018. Is co-curator of Xican-a.o.x. Body, at the Cheech Center for Chicano Art in Riverside, 2023; Perez Art Museum, Miami, 2024-25. She is editor of Remains Tomorrow: Themes in Contemporary Latin American Abstraction, Berlin: Hatje Cantz, 2022, and co-editor of País Matinal: Historia crítica del arte de Guatemala, 1871-2020 (País Matinal: A Critical History of Guatemalan art, 1870-2020), 2025. She received the Andy Warhol Foundation Arts Writers Grant; was Visiting Scholar at the Chicano Studies Research Center de UCLA, Los Angeles; Visiting Research Scholar, Princeton University; Clark Fellow in residence at the Clark Art Institute, and Central American Visiting Scholar of DRCLAS, Harvard University. Fajardo-Hill is Associate Professor of Museum Studies and Art History and Director of the Northlight Gallery, Arizona State University. She is the 2024-25 co-chair for the 2025 Latin American Studies Association Congress (LASA), San Francisco, CA. and Ex Oficio Member of the Executive Council Latin American Studies Association Congress (LASA), San Francisco, CA.