farid rakun

farid rakun, trained as an architect (B.Arch from Universitas Indonesia and M.Arch from Cranbrook Academy of Art), wears different hats dependent on who is asking. He is a part of the artists’ collective ruangrupa with whom he co-curated TRANSaction: Sonsbeek 2016 in Arnhem NL and provided a collective Artistic Direction for documenta fifteen (Kassel, 2022). ruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences, politics, technology, media, etc, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition, festival, art lab, workshop, research, as well as book, magazine and online-journal publication. In 2018, learning from their experience establishing Gudang Sarinah Ekosistem and together with Serrum and Grafis Huru Hara, ruangrupa co-initiated GUDSKUL: contemporary art collective and ecosystem studies (or Gudskul, in short, pronounced similarly like “good school” in English). It is a public learning space established to practice an expanded understanding of collective values, such as equality, sharing, solidarity, friendship and togetherness.

Hou Hanru

Hou Hanru is a prolific writer and curator based in Paris and Rome. He was Artistic Director of MAXXI (National Museum for 21st Century Arts, Rome, 2013-2022). He is an advisor for numerous cultural institutions including Power Station of Art, Shanghai, Times Museum, Guangzhou, Rockbund Art Museum, Shanghai, The Solomon Guggenheim Museum, New York, Westbund Art Museum, Shanghai. He frequently contributes to various journals on contemporary art and culture while serving at juries of major international awards. He also lectures in numerous international institutions and teaches at universities including Central Academy of Fine Arts, Beijing, School of Visual Art, New York. He has curated and co-curated around 150 exhibitions for last three decades across the world including: China/Avant-Garde, National Museum of Art of China, Beijing, 1989; Cities On The Move, 1997–2000; Shanghai Biennale, 2000; Gwangju Biennale, 2002; Venice Biennale -- French Pavilion, 1999, Zone of Urgency, 2003; Chinese Pavillion, 2007, The 2nd Guangzhou Triennial, 2005; The 10th Istanbul Biennial, 2007; The 10th Biennale de Lyon, 2009, The 5th Auckland Triennial, 2013，Growing in Difference, the 7th Shenzhen Hong Kong Bi-City Biennial of Urbanism and Architecture, UABB 2017-2018. His recent projects include: “On Kawara, Rules of Freedom, Freedom of Rules”, Taikwun, Hong Kong, 2025, “Home and Beyond – chapter 1, Hou Hanru’s curatorial journey”, Power Station of Art, Shanghai and Sea World Contemporary Art Center, Shenzhen, 2025-26.

Sven-Olov Wallenstein

Sven-Olov Wallenstein is Professor of Philosophy at Södertörn University, Stockholm, and the editor of the online journal Site Zones (https://www.sitezones.net/). He is the translator of works by Winckelmann, Lessing, Kant, Hegel, Frege, Husserl, Heidegger, Levinas, Derrida, Deleuze, Foucault, Rancière, Agamben, and Adorno, as well as the author of numerous books on philosophy, contemporary art, and architecture. Recent publications include: Robert Smithson (2025), Adornos musik (2024), Aisthesis: Estetikens historia (2 vol., ed. with Cecilia Sjöholm, 2023), Den sista bilden: Det moderna måleriets kriser och förvandlingar (2022), Critical Theory: Past, Present Future (ed. with Anders Bartonek, 2021), Spacing Philosophy: Lyotard and the Idea of the Exhibition (2019, with Daniel Birnbaum), Upplysningens estetik: Nedslag i 1700-talet (2019), and Adorno: Negativ dialektik och estetisk teori (2019).

Suzanne Lacy

Suzanne Lacy is renowned as a pioneer in socially engaged and public performance art. Her installations, videos, and performances deal with sexual violence, rural and urban poverty, incarceration, labor and aging. Lacy’s large-scale projects span the globe, including England, Colombia, Ecuador, Spain, Ireland and the U.S. Her work has been reviewed in major periodicals and books and she exhibits in museums across the world. Also known for her writing, Lacy edited Mapping the Terrain: New Genre Public Art and authored Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007. She is a resident artist at 18th Street Arts Center.