Cold War, Anticolonial Struggles and New Modernisms (1940s–1960s) - Lessons 5 to 9


Modernism
Cultural Autonomy
Abstraction
fromJan 31, 2026toFeb 14, 2026

How did postwar art respond to global struggles for decolonization and political autonomy? This module traces how abstraction and dissent in Europe and the U.S. intersected with emerging art worlds in South Asia after 1947, explores West Asian and Latin American indigenist movements, exploring social change responses and challenging Eurocentric modernism.

Cold War, Anticolonial Struggles and New Modernisms (1940s–1960s) - Lessons 5 to 9

Focusing on the postwar world, this module situates artistic developments within global struggles for decolonization and political autonomy. It examines how abstraction and dissent in Europe and the U.S. intersected with emergent artworlds in South Asia after independence in 1947. West Asian modernist practices are studied through their engagement with spiritual and secular frameworks, while East Asian artists responded to social and political transformation. In Latin America, the module highlights indigenist movements and avant-garde dialogues that challenged Eurocentric modernism while negotiating nation-building and revolutionary aspirations.

Course Lessons

The Making of post-War Modernism between Eurocentrism and Decolonization

Jan 31, 2025 at 2:00PM GMT+1

The Making of post-War Modernism between Eurocentrism and Decolonization

Amid Cold War tensions, artists in Europe and the United States turned to abstraction, material experimentation, and mass culture to navigate a divided world, revealing unexpected convergences beneath ideological contrasts.

Institutions, Associations and Disconnections: South Asian Artworlds after 1947

Feb 4, 2026 at 5:00PM GMT+1

Institutions, Associations and Disconnections: South Asian Artworlds after 1947

In the decades after independence, South Asian artists forged new visual languages, balancing modernist experimentation with a reworking of inherited traditions. From the Bombay Progressives to the Madras Art Movement, this lesson explores how artists transformed independence into an aesthetic and political horizon, redefining what it meant to be modern in a newly decolonized world.

Spirituality, Secularism, and Modernist Visions in West Asian Art in the Early Independence Period

Feb 7, 2026 at 2:00PM GMT+1

Spirituality, Secularism, and Modernist Visions in West Asian Art in the Early Independence Period

n the decades when nations were being remade, so too were the meanings of art. Between spiritual inheritance and secular modernity, West Asian artists forged new vocabularies of form and thought. From the Baghdad Group to the phenomenon of horoufiya, this lesson traces how calligraphy, abstraction, and political vision converged in a decolonial search for belonging and self-definition.

Latin American Avant-Gardes: Interwar Hemispheric Networks and Transatlantic Dialogues

Feb 11, 2026 at 5:00PM GMT+1

Latin American Avant-Gardes: Interwar Hemispheric Networks and Transatlantic Dialogues

In the wake of independence and revolution, Latin American art became a crucible for rethinking modernity itself. From the monumental voices of muralism to the symbolic power of Indigenism and the utopian geometries of kinetic art, this lesson follows how artists across the continent transformed modernism into a project of identity, solidarity, and liberation – at once regional and transnational, rooted and visionary.

Post-1945 Transformations in East Asian Art

Feb 14, 2026 at 2:00PM GMT+1

Post-1945 Transformations in East Asian Art

From the ideological charge of Socialist Realism to the meditative abstraction of Dansaekhwa, postwar East Asian art unfolds as a constellation of reinvention. Through movements such as Gutai, Mono-ha, and the Xingxing Group, artists challenged both political orthodoxies and aesthetic boundaries, forging practices that turned the postwar condition itself into a site of philosophical and material exploration.

Professors

Christian Kravagna

Art historian, curator

Christian Kravagna

Christian Kravagna is an art historian and curator specializing in postcolonial studies, global modernisms, and the politics of representation. He has been Professor of Postcolonial Studies at the Academy of Fine Arts Vienna since 2006 and has authored and edited key works on transcultural art history and institutional critique. Kravagna has curated international exhibitions and contributed to major scholarly debates on migration, decolonial perspectives, and artistic mobility.

Shukla Sawant

Artist and academic

Shukla Sawant

Shukla Sawant is an artist and academic whose work explores themes of colonialism, postcolonial theory, and the intersection of art and history, challenging viewers to reconsider established perspectives. Founder of the Indian Printmakers Guild, Sawant research delves into art in colonial India, South Asian modernism, and contemporary art movements.

Nada Shabout

Art historian, curator, and educator

Nada Shabout

Nada Shabout is an art historian, curator, and educator renowned for her pioneering scholarship and curatorial work on modern and contemporary Arab art. Founding president of of the Association for Modern and Contemporary Art from the Arab World, Iran, and Turkey, her research addresses the art historical neglect of modern and contemporary Arab art and its absence from the art history canon.

Natalia de la Rosa

Art historian and curator

Natalia de la Rosa

Natalia de la Rosa is an art historian and curator. Now associate Researcher at the Institute of Aesthetic Research, her work poses fundamental questions about the interrelations between art, politics and economics in Modern and Contemporary Art in Latin America.

Midori Yoshimoto

Professor of art history and gallery director

Midori Yoshimoto

Midori Yoshimoto is professor of art history and gallery director at New Jersey City University. As art historian, Yoshimoto specializes in post-1945 Japanese art and its diaspora with a focus on women artists, Fluxus, and intermedia.

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