Jota Castro
Jota Castro was born in 1965 in Yurimaguas, in the Amazon region of Peru, and he currently lives and works in Brussels, Belgium. Initially trained in political science and having studied at the College of Europe in Bruges, he worked for the UN and the European Union. In the late 1990s he left diplomatic service to devote himself fully to contemporary art. His practice spans photography, video, sculpture, and installation, and his work addresses political, social, and economic themes—power, fear, crisis, migration, and the role of information in shaping society.
He has exhibited widely, including solo shows such as Austerity Über Alles in Berlin, Memento Mori in Naples, and Cave Canem in Naples, among many others. He has also curated major exhibitions (for example The Fear Society / Pabellón de la Urgencia at the Venice Biennale), and has participated in international biennials in places like Venice, Gwangju (where he won a prize), Tirana, and elsewhere.
Castro’s work is often political in tone, combining critique with visual intensity, sometimes using irony or provocative imagery to challenge economic injustices, colonial legacies, and environmental destruction. He is seen as an activist artist, deeply engaged with questions of justice, power, and human rights.
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